Dancing on Roofs to Radiolab

I’ve been spending most of the past week or so at City Center Studios learning and rehearsing Merce Cunningham repertory, which by the way, is a physical tongue twister and an equation and a calve killer and a dance history lesson all at the same time (one might even say we are im-Merce-d *knee slap*). I’m really excited to show what we’ve been working on at the showing on Friday (there will be a live stream too, so check the Cunningham Trust streaming page at 4:30pm!)

But last Friday night, I took my dancing back downtown for a different sort of performance experience, improvising at a rooftop showcase organized by Artery, alongside three other captivating musicians and dancers.

When planning for this show, I was in the process of moving apartments and didn’t have the wifi access to do my usual music search. I considered just dancing to whatever was on my phone–and then realized that mostly included a bunch of NPR Radiolab episodes (I’ve been commuting a lot lately).

My friends immediately told me to go with it, and I did–smashing a few episodes together and throwing in some Gwen Stefani and some of my own sound effects.

Here’s what resulted: let’s call it a little study on curiosity, words, and fear.

A Straightforward Update Post: Nadia Does Things

I’ve recently crossed the post-grad threshold between “nothing is happening” and “why is everything happening at the same time?” and thought I was due for a standard life update blog post. This feels much more straightforward and somewhat more self-promotional than what I normally do here, but hey, I promise I’ll be back with the rambly feel-pieces you know and tolerate soon enough.

As usual, the news page on my website will have all the self-promotional deets.

Right now:

  • I’m in my last weekend of performances of “Genesis 22” with the Woolgatherers Theater Group on Governor’s Island. It’s an immersive piece with six directors showing their various re-interpretations (theater, dance, funny, serious, and everything in-between) of a biblical story. I’m a dancey version of Isaac who finds myself some crazy partnering and ends up with audience members covering me in candles.
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Photo by Nathan Luttrull and Jan Paulo Musni. Choreography by Caedra Scott-Flaherty.

One of the most challenging things about immersive theater, I’m realizing, is repetition. We repeat our 20 minute piece four times during each performance, as audience members explore and cycle through the different rooms. Not only is this physically demanding, but it also requires that we bring a similar focus and energy to each run–whether it happens to be in a near-empty room or filled with vocal group of 8-year-olds from a summer camp on the island. However, it’s also a chance to really dig into one piece of material and discover new things each time.

More Dancey Things Coming Up That Have Me Pumped:

  • The day after our last show on the island, I’m jumping right in to a performance workshop with the Merce Cunningham Trust. We’ll be training in Cunningham technique and re-staging Cunningham’s 1973 work “Changing Steps” for a performance on August 11.
  • The week after that, on August 18 I’ll be performing in a piece with Trainor Dance at the Battery Dance Festival.

New things starting up:

  • I recently joined Dance/NYC’s Junior Committee, a group of young professionals with various roles in the dance field who come together to discuss relevant social and economic issues. I’m one of the communications coordinators, and we’re looking for ways to use our blog and social media to expand give these discussions a public platform and wider visibility.

Particularly as I am primarily pursuing performance right now, I want to reject the expectation that performers are just silent, voiceless bodies to be used. I’m clearly too opinionated for that, so I’m excited to have a space where I can have a voice and create platforms for more voices in the dance community to be heard.

  • I’m just starting writing for Reductress.com, my favorite source of ironically faux-feminist satire! I always thought that puns and sarcasm would end up being my marketable skills.

Stuff that keeps going:

  • I continue to be a dance class junky and love meeting other dance class junkies of various persuasions, so I’m having a great time taking class in a variety of styles through Mark Morris Dance Center’s work-study program.
  • Generating income is hard. I’m looking for tutoring demand to start picking up as kiddos head back to school.

Between the profesh stuff…

  • As you may have noticed from the previous picture, I have significantly less hair now, and I love it!

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  • My sister popped in last weekend to go to a Mashrou’ Leila concert with me (if you don’t know them, they are a socially-concious Lebanese alt-rock group with dope music videos that you should check out). It was both amazing and perhaps the gayrab-est thing I have been to. I tried really hard to get them to sign my shoe and barely failed.
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So close though.

  • I’m trying to move apartments at the end of this month! Fortunately, I don’t have that much stuff (it’s not “minimalism,” it’s just not having much stuff).

On my personal project back-burner: 

  • A dance film called “Neutral Pelvis” (Can pelvises really be neutral though, ya know?)
  • A sorta-historical essay about the role of White Jesus in legal race construction

 

So What Am I Actually Doing?

If you follow me on this blog and not in real life, you probably have picked up on the fact that I am no longer in college. You know that I continue to have feelings and thoughts and jokes which I post on the internet. But perhaps you are wondering: what is this Nadia person actually doing with her life?

Well I am starting have some answers!

I’m incredibly pumped to have some performances lined up in the near future! You can check out the “News” page on my website for full descriptions, locations, and times.

In slightly less performative news, I am also tutoring, doing the work/study program at Mark Morris Dance Center, working as an office assistant for a psychotherapist, and continuing to write stuff (hopefully some of which will get published).

Updates from Texas

I interrupt your regularly scheduled blog-skimming for a short announcement: You may have noticed a new “site” tab at the top of this page. You probably didn’t. So I’m telling you now: I’ve been putting together a website for my dance and writing work, so check it out here!

Some other things I’ve been making in the couple few weeks:

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Yeah, I had  a lot of time on my hands . . .

But so much not any more! I’m currently in Texas getting ready to be an RA at a Joffrey Ballet School program. (Slash professional pokemon-tracing artist.)

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Updates (In which I do less than It All)

Things I did this weekend:

  • Performed in the Barnard dance department show at New York Live Arts. The choreographers and dancers were absolutely killing it this year with some beautiful, intelligent, and hilarious work (in addition to being generally awesome people to be around all day).
  • Wrote two papers and a presentation.
  • Struggled with the subway system.
  • Tried really hard not to neglect my parents who flew in to see me.
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Choreography by the fabulous Caitlin Trainor. Photo by the fabulous Julia Cervantes. 

Things I didn’t do:

  • Laundry

It’s really really been awhile. I need to catch up before I revert to my super-seasonally-inappropriate clothing reserve and excessive body spray as an alternative to washing.

In related news, I think this is gonna be my new go-to answer for questions like “Is it possible to do dance and academics?”–Yes, but not laundry.

I’m pretty sure this is also the definitive answer to the perpetual question of “Can women Have it All?” (Which women? What’s “all?” No one really seems to care)–No: they can either have a reasonable laundry schedule or everything else, but not both. 

(Feel free to pull that out in interviews, female CEOs.)

I’m gonna go do laundry now.